New York City - 20:00
May 6
TEST w/ Tom Bruno, Daniel Carter, Matthew Heyner and Sabir Mateen
Whitney Museum Biennale,
New York 4:40pm - 5:45pm
May 11
SAMA w/ Matthew Shipp
Cafe Oto 8pm
London, UK
May 12
SAMA w/ Matthew Shipp
Taktlos 9:30 pm
Zurich, Switzerland
May 14
Solo and big band performance w/ Polyversal Soul Earkestra
9pm @ Theaterkapelle
Berlin, Germany
May 19 - 30
20 - Miroiterie w/ Benjamin Sanz 9 pm
24 - w/ Emilie Lesbros @ Souffle Continu 7pm
29 - Bab-ilo w/ Emilie Lesbros and Benjamin Sanz 8pm
Paris, France
The University Of The Streets, 130 East 7th Street New York - 20:00
June 8th
w/ William Parker's Essence Of Ellington Orchestra
Casa Del Popolo - 9pm
Montreal, Canada
June 14
Eternal Unity w/ Dave Burrell, William Parker, William Hooker, Sabir Mateen
Vision Festival VII New York @ Roulette in Brooklyn - 7:30pm
NYC
July 14
The Blood Trio w/ Whit Dickey, Michael Bisio, Sabir Mateen
The Stone NYC 8 & 10 pm
La Poission Lounge 158 Bleeker St - 20:00
Sept. 10 ' til Oct. 25th
Sabir Mateen - solo tour and then some...
Sept. 10th
Tilburg, Netherlands 8pm (solo)
more performances TBA
Oct 16 -21
Sabir Mateen - solo
St. Petersburg, Russia (to be confirmed)
Oct. 28
Shapes, Textures and Sound Ensemble w/ Roy Campbell, Will Connell, Masahiko Kono Alex Harding, Michael Guilford, Sabir Mateen, Hilliard (Hill) Greene and Michael Wimberly
10pm @ The Stone NYC
Nov. 16-25
w/ Michael Wimberly, Raymond A. King, Will Connell, Sabir Mateen and others
Azouras, Portugal
Nov. 27
SAMA Matthew Shipp & Sabir Mateen - @ The Stone NYC 8pm
The Sabir Mateen Ensemble w/ Roy Campbell, Raymond A. King, Jason Kao Hwang, Daniel Levin, Jane Wang, Michael Wimberly, Sabir Mateen - @ The Stone NYC 10pm
NYC
By Glenn Astarita, Published at AAJ: April 1, 1999
Synonymous with New York City’s Downtown Scene while frequently touring the college circuit and performing at New York’s famed Knitting Factory, drummer/composer William Hooker is at the forefront of the Avante-Garde. Whether jamming out improvised rock with Sonic Youth’s Lee Renaldo or touring with jazz violinist Billy Bang, Hooker’s ceaseless creative energies are admirable and prove to be quite diverse as illustrated in “The Distance Between Us”, his third studio album among his seventeen recorded releases.
Hooker opens with his composition titled “The Gates”. Here, Hooker affably hums and scats melodies while accompanying himself on drums. An unorthodox approach some might say yet it works rather convincingly as Hooker’s earnestness is quite endearing and at times playful. The Bricusse/Newly composition “Pure Imagination” features lovely swirling chord progressions from pianist Mark Hennen in tandem with Hooker’s colorful cymbal and drum work. Again, the unconventional instrumentation sounds natural and uninhibited. “Because Of You (Dimension 1)” was composed by members of New York’s beloved new wave rock band, Sonic Youth. Here, vocalist Gisburg leads the charge as Hooker and co. parallel a “sound” that more than touches on Sonic Youth’s notable crunch chord and unabashed style of play. On this track, we are treated to loud ferocious and distorted guitar work, presumably by Ed Flynn; although, there are three guitarists listed on the liners with no reference points for soloing or channel placement. “Because Of You (Dimension 1)” is a crash and burn vehicle as things get a bit hectic midstream’ hence, reckless abandon at its best!
Free jazz takes its course with Hooker’s “Sensor Suite”. Unfortunately the track listing on the promo copy does not correlate with this reviewer’s CD player; however, the music clocks in at around 20 minutes. Hooker riles things up and serves as the catalyst for these pieces, which weave in and out, complete with mind blowing and deterministic sax work from Charles Compo and Sabir Mateen. Trumpeter Lewis Barnes settles things down midstream with pensive and warm thematic statements as Hooker stirs the pot with unobtrusive yet ominous drum work. The pace picks up steam, as the ensemble work is multi-textured and significantly vibrant.
Sonic Youth’s “Because of You (Dimension 2)” commences with Gisburg vocalizing over Hooker’s strong backbeat which gives way to more psychedelic, Hendrix-like guitar work. Hooker closes the proceedings with a tasty two-minute drum solo.
“The Distance Between Us” is a well-conceived effort which at times, takes on the semblance of a “Best Of” compilation; however, Hooker isn’t content to sit still or stay within one particular format. Hooker’s diversity is represented in hearty fashion, as this recording should enlist some new ears to William Hooker’s seemingly limitless musical world.
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